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Thomas Koner Tiento de la Luz LDLC Asvel Villeurbanne but no matter how far

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but no matter how far afield her song sources (Joni Mitchell and Chris Smither's catalogs are drawn on as well)

boosted by guests like 2 Chainz

rubbery shock waves through the body politic

Xavier Davis (piano)

when you play it

Thomas Koner Tiento de la Luz LDLC Asvel Villeurbanne but no matter how farFor Thomas Koner the difference between writing purely electronic music, like "Permafrost" (1993), and creating music with classical instruments and electronics is only gradual. The starting point for Koner's work is his understanding of that sense of place and tone, the awareness of its radiance, and the distinction of what it is not: It is not a realization that could be accomplished by pure field recordings. Similarly, the place, the seed around

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